Friday, 24 February 2017

Friday Talisman: WTF Is Up With Her Face?

This is frustrating as hell. I go to the (minor) trouble and (equally minor) cost of getting myself a light box to show off my painted miniatures in all their glory, and the first figure I photograph looks like she's been attacked by a facehugger. I have absolutely no idea what's gone wrong here; she looks fine in both natural and electric light. Put her in a light box, though, and she looks like the Slenderman sucking a mustard lozenge.


I spent some time tonight looking at her face, trying to work out what to do to help, but the truth is there's nothing I want to change. I thought redder lips, but her face is too small for that; it'd look ridiculous. I think I'll just have to keep experimenting with the box and my camera.

Alternatively, I could stick to painting miniatures with sensibly-sized heads. The Vampiress' face is absolutely minute. I include the Warrior from the base game in the photo below for comparison. You could fit her entire head inside his nadsack.


Thursday, 16 February 2017

Infinite Diversity, Finite Combinations 6.1.4

In which I am forced to try and sort out a colossal mess left for me by Enterprise.

Tuesday, 14 February 2017

No Apologies For The Infinite Radness 1.2.2 - "Movies" (Alien Ant Farm)



I'm not sure there are many songs that tie my musical journey down to so precise a time period as this one. Alien Ant Farm are not a cool band anymore. They barely were at the time. They dropped from the cultural radar so quickly after the lumbering mess of the "Movies" re-release that I assumed they'd broken up. Maybe it was because of the rumours of how much the rest of the band hated their lead single that gave me that impression, or how boring everything they did after their first two singles was. Hell, even their debut album name suggested a band with a short lifespan: you don't name your first album on a major label ANThology unless you don't believe you'll ever get the chance to slap that pun over a singles collection (what I learned today: they called their first, independently-released album "Greatest Hits").

Looking back, things went wrong for AAF almost immediately. It's never a great sign when you reach the height of your fame with a cover version, especially one which gets talked about more for the video than the arrangement (which for the record is basically competent). With "Smooth Criminal" by any measure a massive success, and with no unreleased tracks on ANThology that could possibly reach those same heights, there was only one obvious move: re-release the debut single, but with a new and much more expensive video. The second video for "Movies" is a fucking horrific Day-Glo nightmare:



I hate that video for all sorts of reasons (ha ha ha he had his dick hidden in his popcorn HA HA HA!) but my main objection is the the degree to which it totally misses the point of the song. "Movies" isn't a song about films, it's about the moments in your life that feel like a film. Or at least, the kind of moments that feel like perfect subject matter for a film's closing moments.

Specifically, the song is - obviously - about a dying relationship, and the decision to kill it off for good. To slay a gigantic, lumbering beast that belongs to the past, as the original video takes pains to point out. It's a hell of a job, but it has to be done. That's why you need all that scruffy-ghet noise from those electronic guitar devices: taking down Godzilla requires a soundtrack with some bite to it. To the extent the term ever made any sense and wasn't just a warning label for a creatively bankrupt genre of leaden un-rock, this is the template nu-metal should have followed. Same riffs, less irony.

But what really makes this track special - aside from that juicy-as-hell descending bass riff at 00:18 - are the hints of calm acceptance that pepper the histronics and chugging guitars. It captures perfectly that period at the very end of a soured relationship in which the sudden release of obligation and restrictions makes the person you've spent days/weeks/months/years (delete as applicable) barely able to stay in the same room with seem not that bad after all. Like a president leaving the White House, nothing boosts your approval rating of a terrible partner like the act of disentangling yourself from them.

The feeling never lasts, obviously. But that's a different song.

Thursday, 9 February 2017

Infinite Diversity, Finite Combinations 5.1.4

The Vidians this week. I like the Vidians. Shame they didn't get the chance... TO BREATHE!

Friday, 27 January 2017

Friday 40K: A Solid Wall And The Ground To Build It On

Following my New Year's Resolution to get some actual games of 40K in this year (think I've managed two at most since I moved to the West Midlands in early 2011), I've been hard at work expanding my scenery collection. Below are the results of January's efforts; the completion of a Tau shield wall I started painting in 2015(!), and a third Realm of Battle board for it to lie upon.


I rather like the design of these things, and I'm happy with my paint job. It's quite simplistic compared to the sort of drybrush-heavy stuff I put out these days, but then it needs to match the Tau army I started in 2003 (I have to stop saying stuff like this), when my abilities were far less developed.

If there's a problem here, it's that the shield itself is too high up for my Tau to shoot over. You'd think the Earth Caste would have thought to measure their cousins at some point during the design process. Still, maybe the energy field allows shooting from one direction. That's just the sort of underhanded trick you'd expect from these sneaky xenos. Still, my mate Dave promises me his Space Wolves will be eating my entire cadre fairly soon, so I guess it doesn't matter all that much.